A Division of Macmillan Publishers



Tom Doherty, Chairman


For over forty years, Tor Books, Forge Books, Tor Teen, and Starscape have been dedicated to publishing the best in genre fiction for adult, teen, and middle-grade readers. In 1979, when I founded the company, our intent was to focus on fiction, often grounded in science past, present, and future, starting with prehistoric fiction—which would be science fiction based on anthropology—and stretching across history and the present into a future which is often extrapolated from possibilities suggested in physics and other scientific fields of today.

The resulting list not only includes books from a wide range of genres, but has managed to win recognition in all of these fields. A diverse list like ours comes from an editorial staff with diverse interests. I want editors to reach beyond those founding concepts. To have the freedom to do work that interests them with authors that they enjoy reading. Our editors bring passion to every project and are dedicated to finding and publishing the best books in every genre. It is a pleasure to introduce them to you.

president-and-publisher-of-tor-publishing-group Photo credit: Mark Billy

Devi Pillai, President and Publisher of Tor Publishing Group


Devi Pillai is the President and Publisher of TPG (Tor, Tordotcom, Forge, Starscape, Tor Teen and Nightfire).

She has over twenty years of publishing experience at HarperCollins, Hachette, and Macmilian where she worked at a variety of science fiction, fantasy, and mainstream imprints. She was the founding editor at Orbit, where she worked for over a decade and which published The Witcher; James S. A. Corey’s Expanse series; the works of Brent Weeks, Gail Carriger, and Joe Abercrombie; and Hugo award-winning authors N. K. Jemisin and Ann Leckie.

Since joining Tor in 2016, she has overseen the publication of many award-winning and bestselling authors, including V. E. Schwab, Cixin Liu, and Mary Robinette Kowal. Her own authors currently include Brandon Sanderson, Christopher Paolini, Jenn Lyons, and Arkady Martine, whose debut novel A Memory Called Empire won the 2020 Hugo Award.

A fan at heart, she describes herself as having the bloody-minded reading tastes of a thirteen-year-old boy. She is always receptive to skillful pacing and deftly sketched characters, and of course assassins and dragons.

publisher,-tordotcom-publishing Photo credit: Greg Preston

Irene Gallo, Publisher, Tordotcom Publishing


Irene Gallo is the Publisher of Tordotcom and the Creative Director of Tor Books. Since Tordotcom’s launch on July 20th, 2008 (not coincidentally, the anniversary of humankind landing on the moon) it has grown into a thriving community and a must-read site for science fiction and fantasy fans, winning numerous awards for both its original fiction and non-fiction, including the Hugo, Nebula, World Fantasy, and Locus Awards. In 2015 we expanded Tordotcom’s fiction to include commercially available titles in print and ebook that start at 20,000 words up through full length novels. We enjoy being a home for both commercial fiction and the quirkier or more literary end of the market.

As Tor Books’ Creative Director, she has established the look and design of an incalculable number of books since 1993. She has won the World Fantasy Award, the Richard Gangel Award for Art Direction from the Society of Illustrators, thirteen Chesley Awards, and numerous gold and silver medals from Spectrum and the Society of Illustrators.

vice-president,-associate-publisher,-and-editor-in-chief,-tor Photo credit: Bob Krasner

Patrick Nielsen Hayden, Vice President, Associate Publisher, and Editor-in-Chief, Tor


I’ve been with Tor Books for nearly thirty years, during which time I had the good fortune to work both with some of the great figures of SF and fantasy’s past—writers I grew up reading, like Arthur C. Clarke, Poul Anderson, and Damon Knight—and also with some of the best younger writers to emerge in the last quarter-century. I’m particularly proud of the debut novels I’ve published, by writers including Maureen F. McHugh, Susan Palwick, Cory Doctorow, Jo Walton, John Scalzi, Ada Palmer, and Charlie Jane Anders. Novels I edited for Tor have won Hugo, Nebula, and World Fantasy Awards, and, to my amazement, I’ve won three Hugo Awards and a World Fantasy Award for editing.

In recent years I’ve come to spend more and more time in a management role, working alongside Devi Pillai to direct our SF and fantasy lines. So I’m being careful about adding to my personal editorial commitments. Today I’m just as likely to respond to an exceptional new opportunity by helping another editor acquire, position, package, and sell it.

That said, if there’s great unpublished SF or fantasy out there, I want to see it. There are certain storytelling qualities that always grab me. One of them is a strong distinctive voice. Another is the sense that in reading this story, I’m learning something real about the world. Works set on alien planets, or in invented fantasy universes, can tell us things that are as true as stories bounded by the here-and-now. Joanna Russ’s Whileaway doesn’t actually exist, but then, neither did Madame Bovary. What’s important—to me—is saying something real, and meaning it.


Linda Quinton, Vice President and Publisher, Forge


I have had the honor of working with the talented team of editors acquiring for TDA/Forge for many years, first as VP of Marketing and Associate Publisher for Tom Doherty Associates, and now, as publisher of Forge.  I am proud to be a part of Forge’s continuing tradition to publish accomplished, bestselling and award winning authors across multiple genres including: contemporary and historical fiction, suspense, thriller, magical realism and nonfiction.  I feel honored to have worked on or to have contributed in some part to bringing many wonderful books to readers.  I currently work with a great team of people who all have a passion for working with wonderful storytellers and bringing their works to the broadest possible market.

editorial-director-for-tor,-nightfire,-tor-teen Photo credit: Jacqueline Singer

Claire Eddy, Editorial Director for Tor, Nightfire, Tor Teen


They say that those who can’t do, teach. In college, I envisioned becoming a professor in medieval studies, teaching generations of students and toiling away as a nameless handmaiden of history. But the editing life called its siren song and for more than thirty years I’ve worked at Tor, indulging in my many passions in genre fiction – fantasy, science fiction, horror, and mysteries. I’ve had the honor of  working with such wonderful authors as Jacqueline Carey, Juliet Marillier, Ramsey Campbell, Sherrilyn Kenyon, Gene Wolfe…and many others, too many to count. 

I’ve spent the better part of my adult life working with authors to (hopefully) make their stories and dreams the best that they can be, becoming that “third eye,” general nudge, and all around pain in the butt to accomplish this feat. I give encouragement when I can, instruct when possible, and, again, hopefully contribute in some small way to sharing in the dream, giving readers new worlds and delightful puzzles.

And the best part? I still get to do this and every day feels as fresh as my very first day at Tor did. There is no other feeling like that in the world…


Will Hinton, Editorial Director for Tor, Nightfire, Tor Teen


I joined Tor Books in August 2018 following five years at Orbit Books and nine years at Harper Voyager.

I love ambitious, original science fiction that illuminates truths about who we are and how we live, everything from sweeping space opera to accessible, visionary hard sf to high concept genre-bending novels which some might fail to see as SF; epic fantasy with grand, immersive worlds, absorbing and distinctive characters, and adventure with a breakneck pace; and the full range of exploratory, imaginative stories from unique voices that need to be heard.

I’ve had the good fortune to work with such authors as Ann Leckie, Kim Stanley Robinson, Christopher Paolini, Shelley Parker-Chan, T.L. Huchu, James Rollins, and the duo behind James S. A. Corey.

I am not currently taking unagented or unsolicited manuscripts.

assistant-editor,-tor,-tordotcom Photo: Laura Laderman

Sanaa Ali-Virani, Assistant Editor, Tor, Tordotcom


I have been with TPG since 2019 and am excited to be building my list. I am seeking science fiction, fantasy, and speculative fiction, at novel- and novella-length, with a preference for character-driven stories.

Across sub-genre, I tend to be drawn to books that are ultimately hopeful, and that carry a sense of adventure and exploration—whether that means setting off on a quest, delving into secrets of the past, or uncovering new corners in one’s own home.

Some of my particular interests include:

Deep dives into religion. Hook me with an interesting take on the god-king, immortals, false idols, reluctant deities, dead gods, or another angle. I am especially interested in set-ups that are not a direct analog to an extant religion or to the Greco-Roman pantheon [Brandon Sanderson’s work, Kushiel’s Dart].

Myths, folktales, legends, and epics. A good retelling will absolutely catch my attention, but I am even more excited about fiction that feels like myth or folklore without necessarily being based on a specific tale [The Tiger’s Daughter], as well as fiction that draws on a body of lore and makes it its own [The Bird King, On Fragile Waves].

I love an ensemble cast that makes me change my mind about my favorite character depending on who’s currently on the page; stories centering families, born or made; a diversified group with niche roles that comes together to make a united whole (think heist team, D&D party, spaceship crew, sports team) [Leverage, Haikyu, Sufficiently Advanced Magic].

I also love to see BIPOC and/or LBGTQIA+ characters as well as fiction that looks beyond Western norms. I am eager for all sorts of these stories, but those with South Asian, East African, or Japanese touchstones; immigrant and refugee narratives; and frameworks that defy or subvert gender and gendered societal roles will hit personal notes for me.

I have a weakness for books that can’t decide if they’re fantasy or science fiction [Light From Uncommon Stars], and also enjoy stubbornly SFF stories that nevertheless stretch into adjacent genres, particularly romance or historical fiction [This Is How You Lose the Time War, The Watchmaker of Filigree Street].

I am actively seeking submissions from authors of underrepresented backgrounds. Above all I am looking for stories that push the borders of genre from within. And I am always open to falling in love with something I didn’t even know I wanted!


Ruoxi Chen, Editor, Tordotcom Publishing


I joined the Tordotcom Publishing team in 2017 and am interested in a wide range of speculative fiction for the adult market—from core science fiction and fantasy to literary crossover.

Some touchstone authors include Octavia Butler, Dorothy Dunnett, Kelly Link, Mary Renault, and N. K. Jemisin. I’m a sucker for unexpected retellings and works that slip between genres. Bring me a translatio imperii narrative about orisha, Meng Jiang Nu in space, Cleopatra in a fantasy of manners. Right now, I’m particularly interested in the following:

—Fantasy that kisses mythology with precise, confident narratives that turn on themselves like Megan Whalen Turner’s The King of Attolia, Seth Dickinson’s The Traitor Baru Cormorant, and Susanna Clarke’s Piranesi

—Queer speculative fiction that fluidly mixes genres and treats its characters with care (even if they are very much not preserved from danger) like Ryka Aoki’s The Light from Uncommon Stars, Alison Rumfitt’s Tell Me I’m Worthless, and Kai Ashante Wilson’s Sorcerer of the Wildeeps

—Immersive, fresh worlds that evoke new myths being made like Kerstin Hall’s The Border Keeper, N. K. Jemisin’s The Hundred Thousand Kingdoms, and A. K. Larkwood’s The Unspoken Name. 

—Crossover SF/F (into literary, romance, thriller, can’t put your finger on it etc.) with vivid prose and worldbuilding/scene-setting used to amplify a strong, central relationship like Amal El-Mohtar and Max Gladstone’s This Is How You Lose the Time War, Micaiah Johnson’s The Space Between Worlds, Scott Hawkins’ The Library at Mount Char, and Helene Wrecker’s The Golem and the Jinni.

—A specific ask I have yet to find: I’d love to see an exceptional witch book that charms me and knocks me off my feet, whether in the one sidestep from our own contemporary world vein of Alice Hoffman’s Practical Magic, Quan Barry’s We Ride Upon Sticks, or Mona Awad’s Bunny, or further afield like Alix Harrow’s The Once and Future Witches and Alexis Henderson’s The Year of the Witching. If your witches are queer, from outside the European tradition, working their magic in the diaspora (or all of the above!), you especially have my attention.

I prefer my narratives subversive, my fantasy postcolonial, and my families found. I’ve had the joy of editing authors who have won the World Fantasy Award, the Crawford Award, the Alex Award, the Astounding Award, and the Hugo Award, among others. I’ve been lucky enough to debut authors such as Emily Tesh, Freya Marske, and Nghi Vo, and to work with voices like P. Djèlí Clark, Sarah Gailey, Seth Dickinson, and Tochi Onyebuchi on new projects.

I actively seek submissions—both novellas and novels—from authors from underrepresented backgrounds. Above all and regardless of subgenre, I’m looking for compelling characters and voices that will haunt me long past the last page.


Robert Davis, Editor, Forge


I have been with Macmillan/Tom Doherty Associates since 2015, and acquiring for the Forge imprint since 2019. I am looking to grow my list with addictive page-turners that create an emotional response, showcase characters I want to root for, and are told with seamless prose where I lose myself until the satisfying end that stays in my head for days.

I’d like to see character driven commercial fiction across several categories including family-centered fiction; action-packed thrillers with a twist; outdoorsy survival stories of all circumstances; magical realism; contemporary fiction with light speculative elements, grounded in the real world; and historical fiction from the point of view of erased and underrepresented voices.

I am also open to fiction in translation, and I would specifically like to see more novels by BIPOC authors.


Carl Engle-Laird, Editor, Tordotcom Publishing


I’ve worked for Tor Books and Tordotcom since 2012, and was brought on to Tordotcom Publishing as an editorial assistant in 2014. During my time, I’ve had the pleasure of working with a broad and diverse range of authors who have pushed the field forward with their writing. I’ve had the pleasure of debuting Hugo and Nebula nominated authors such as Kai Ashante Wilson (A Taste of Honey) and JY Yang (The Black Tides of Heaven), and of acquiring full-length novels such as Tamsyn Muir’s Gideon the Ninth, Malka Older’s Infomocracy, and Ruthanna Emrys’ Winter Tide.

I’m looking for science fiction and fantasy of all flavors. I’ve acquired books across many genres, from epic fantasy to near-future post-cyberpunk, from historical weird to supernatural thrillers. I’m generally not interested in urban fantasy or contemporary fantasy set on Earth, or in hard science fiction. To me, genre is less important than that a submission have strong characters, a unique authorial voice, and a compelling plot. I acquire novellas and novels, with a minimum word count of 20,000 words. I actively request submissions from authors of color, and have a particular interest in queer authors and books with queer characters.

executive-editor,-tor,-nightfire,-forge,-tor-teen,-starscape Photo: Zack Dezon

Ali Fisher, Executive Editor, Tor, Nightfire, Forge, Tor Teen, Starscape


Since 2013, I’ve been HEA with TPG where I’m actively acquiring speculative fiction and humorous nonfiction.

I’ve had the honor of acquiring and editing work from so many incredible authors including #1 New York Times bestselling authors Karen Kilgariff and Georgia Hardstark (Stay Sexy & Don’t Get Murdered), New York Times bestselling author TJ Klune (The House in the Cerulean Sea, The Extraordinaries), popular ao3 writer Everina Maxwell (Winter’s Orbit), comedian Joe Pera and illustrator Joe Bennett (A Bathroom Book for People Not Pooping or Peeing But Using the Bathroom as an Escape), and many more.

For Tor, Nightfire, Tor Teen, and Starscape: I’m interested in diverse and inclusive speculative stories under the umbrellas of character-driven fantasy, “five minutes into the future” science fiction, and original horror.

For Forge: I’m most interested in feel-good, humorous nonfiction.

I’d love to see submissions by BIPOC authors and I’m a fan of whatever makes me laugh—crow’s feet for days over here—so please send me funny manuscripts to read! I’m also a sucker for stories about best friendships.

I am not currently taking unagented or unsolicited manuscripts.


Emily Goldman, Assistant Editor, Tordotcom Publishing


I started at TPG in 2019 as’s first ever short fiction coordinator and since joined the editorial team of Tordotcom Publishing. I’m a graduate of Portland State University’s publishing program, and I was previously at the The New Press and Ooligan Press. I am actively acquiring adult fantasy and science fiction (both novel and novella-length) and looking to build my list.

I am a character-reader first and foremost, and my favorite stories feature characters who leap to life off the page and who I can’t stop thinking about after I’ve finished reading. Equally important to me, their characterizations are firmly embedded in, and are both a result of and a response to, the world in which they inhabit.

Messy, complicated characters who have a questionable relationship to morality (fictional or otherwise) with equally messy, complicated interpersonal relationships are a particular weakness of mine. Found/forged/blended families are my happy place.

Other things I love:

• Sweeping, multilayered stories with complicated politics, shifting alliances, and/or subterfuge (e.g. Micaiah Johnson’s The Space Between Worlds, Yoon Ha Lee’s Machineries of Empires series; Lara Elena Donnelly’s Amberlough Dossier).

• World-building that feels immersive, lived-in, idiosyncratic, and/or truly fantastical (e.g. Fonda Lee’s Green Bone Saga; N. K. Jemisin’s The Hundred Thousand Kingdoms; Frances Hardinge’s A Face Like Glass).

• Stories that interrogate power and the power dynamics and narratives underlying a culture, an empire, a society, a family, etc., whether they’re set in in a fully made-up world or the world we live in (e.g. N. K. Jemisin’s Broken Earth trilogy; Gretchen Felker-Martin’s Manhunt; R.F. Kuang’s Poppy War trilogy).

• Stories rooted in Jewish history, culture(s), and/or narratives (e.g. Naomi Novik’s Spinning Silver, Leigh Bardugo’s Ninth House, Ava Reid’s The Wolf and the Woodsman, Veronica Schanoes’s Burning Girls and Other Stories).

• Queerness that doesn’t necessarily look like “our” understanding of queerness (for varied definitions of “our”) regarding how gender, sexuality, and/or relationships are imagined, embodied, and lived (e.g. Shelley Parker-Chan’s She Who Became the Sun; Ann Leckie’s Imperial Radch trilogy; Guillermo del Toro’s Pacific Rim).

I’m especially interested in stories with trans/gender-nonconforming protagonists, protagonists on the ace and/or aromantic spectrum, and stories that de-center the primacy of romance and/or center around non-romantic relationships of any and all kinds.

And of course, I am always open to falling in love with something I never even knew I wanted or needed in my life!


Jennifer Gunnels, Editor, Tor, Nightfire


I would best describe myself as a genre omnivore. That said, I admit I love science fiction a bit more than fantasy. Hard SF, soft SF, squishy SF. Horror in space or on a planet. First contacts. You name it. I am particularly drawn to first contact and well-done alien cultures, and I also admire complex world building with political machination, heists, and compelling characters. Material that’s hard to categorize in terms of which genre it inhabits often delights me. I appreciate veins of weirdness, or dark humor. Novels with ensemble casts and found families engage me a great deal.

Both commercial and literary science fiction and fantasy are welcome. I would love to see some more “in-system” science fiction as well as more international material whether that be the author’s country of origin or the story’s characters and content. Material from indigenous peoples regardless of country would be very welcome in my inbox.

In all cases, however, I want nuance—in the worlds, in characters, in dialogue. The books that I find most compelling engage with new ideas, alternate or immersive worlds, and new science.

My current list includes military sf as well as epic and political fantasies. I have the pleasure of working with a number of talented Tor authors such as Sue Burke, J. S. Dewes, Karen Osborne, L. E. Modesitt, and Brian Staveley.

I am also open to considering SF/F novellas for Publishing and short stories for

I am not currently taking unagented or unsolicited manuscripts.


Lindsey Hall, Executive Editor, Tor, Forge


I’m looking for a wide range of adult speculative fiction for the Tor list, and below are just a few of the elements I’d love to see in my next reads —

Epic fantasy with inclusive worlds and fresh takes on fantasy tropes and archetypes: like the orcs and necromancy in A. K. Larkwood’s THE UNSPOKEN NAME; Kell’s very peculiar coat and the approach to fantasy portals in V. E. Schwab’s A DARKER SHADE OF MAGIC; and reluctant partners / arranged relationships in WINTER’S ORBIT.

Dark contemporary fantasy with clear writing, instantly compelling voice, and high intensity pacing like in Sunyi Dean’s THE BOOK EATERS and V. E. Schwab’s VICIOUS.

Voice-y as hell adventures like Nicholas Eames’s KINGS OF THE WYLD, Christopher Buehlman’s THE BLACKTONGUE THIEF, and Annalee Newitz’s AUTONOMOUS (bonus points if the read makes me laugh but isn’t ‘comedic SFF’!)

Relationships that feel lived in, like the friendships in Kings of the Wyld and the family dynamics in Ryka Aoki’s LIGHT FROM UNCOMMON STARS. I’m open to seeing romantic relationships where the characters are already past the beginning / first falling in love stages when we meet them and are in the seemingly more ‘mundane’ stable years of a long-term partnership (+ fangirl forever for the moment when partners fight back to back!)

All things witchy, and particularly interested in sisterhoods and covens that are inclusive of POC, queerness, and aren’t strictly tied to the binary.

Grounded, earthy magics of all kinds (relating to plants, the moon, stars, dirt, blood, bone, etc!) in both high fantasy and fantasies set in our world. Like in T. Kingfisher’s NETTLE & BONE and Tessa Gratton’s QUEENS OF INNIS LEAR.

Family sagas and generational / multi-time period stories that show how events and magic play out across time and within families like in Rita Wood’s THE LAST DREAMWALKER or Louisa Morgan’s A SECRET HISTORY OF WITCHES.

I’m a sucker for magic school esque settings and loved the studying and training scenes in R. F. Kuang’s THE POPPY WAR, the found family feeling at the Home for Wayward Children in Seanan McGuire’s EVERY HEART A DOORWAY, and getting to see things from magical adults’ and teachers’ perspectives in Sarah Gailey’s MAGIC FOR LIARS.

I’m currently looking for reads more on the fantastical side of speculative fiction rather than outer space/technological side, but if a book has the right voice, I’ll read and love just about anything. Voice that hooks you right away and pacing and tension that won’t let you go are very important to me – with clear stakes and deeply felt consequences along the way ideally. And I’m always very open to falling in love with something I didn’t even know I wanted until I’ve seen it.

I am not currently taking unagented or unsolicited manuscripts.

executive-editor,-tordotcom-publishing Photo credit: Al Bogdan

Lee Harris, Executive Editor, Tordotcom Publishing


I joined Tordotcom Publishing in 2014 in order to head up the editorial arm of the new imprint, publishing fiction from novella length through to novels and series.

At Tordotcom I work with Nnedi Okorafor (Binti), Paul Cornell (Witches of Lychford), Seanan McGuire (Wayward Children), Martha Wells (The Murderbot Diaries, Witch King), Becky Chambers (Monk and Robot) and many more. I’m looking for science fiction and fantasy of all flavors, with a minimum word count of around 20,000 words, though my novella preference is for books of 30k or longer. For novels, the only limit is the length the story needs, so anything up to—and beyond—150,000 words is fine, if that’s what makes the story work. I love a good techno-thriller, and I’m equally at home with an intriguing urban fantasy or space opera. What matters to me is a strong authorial voice, with believable and compelling characters. Combine those with a strong plot and you’ll have me hooked.


Kelly O'Connor Lonesome, Executive Editor, Nightfire, Tor


I joined Tor in 2019, following a stint as an indie bookseller in California, and careers at Orbit Books and Harper Voyager/William Morrow. I’m actively acquiring adult horror for Nightfire, and am searching for unique stories to keep me up at night.

I’d love to see submissions from writers of color, and I want to promote and champion multicultural stories rooted in experiences and worlds that may be otherwise marginalized.

I love cleverly subverted horror tropes with contemporary twists. I’m seeking speculative fiction with a dark bent, and thrilling stories that turn malicious. I want creatively reinvented nightmarish fairytales and folklore — and I am prioritizing those not from Western canon! My favorite themes and tropes include class & power imbalances, hauntings, false prophets, company towns, toxic relationships, meta horror, body horror, and psychological terror.

I’m so excited to see what new horror stories are out there, but I’m especially eager to be surprised by manuscripts that blow away all my expectations. If it doesn’t fit neatly into a category, it’s probably right for me!

I am not currently taking unagented or unsolicited manuscripts.

executive-editor,-forge Credit: Catherine King Photography

Kristin Sevick, Executive Editor, Forge


I see the job of editor as parts midwife, professional reader, project manager, and bartender. We deliver new voices to voracious readers, help polish stories until they resonate, advocate for our authors, and—probably most important—keep the drinks coming on time.

While I have always read widely, my focus is on crime, suspense, historical, and women’s fiction, and I am especially looking for novels with a diverse cast of characters and strong female voices. The things I loved about my first acquisition, the award-winning A Trace of Smoke by Rebecca Cantrell—a strong, yet sensitive, female sleuth; a rich historical setting; a thrilling mystery—still resonate with me today. I would also love to see great upmarket women’s fiction about familial relationships (mothers, daughters, sisters, friends). My interest is particularly piqued any time these relationships form the backbone of a crime novel, and domestic/psychological suspense is a particular sweet spot.

That being said, if you had asked me years ago if I was looking for a novel about a reincarnated dog, I likely would have said no. And yet, the bestselling A Dog’s Purpose by W. Bruce Cameron has been an incredible success. I learned early that acquiring widely is the best way to fulfill my appetite for storytelling.

Some authors that I am honored to have worked with are W. Bruce Cameron, Julie Carrick Dalton, Candice Fox, Matt Goldman, Loren Estleman, Rachel Howzell Hall, T. Jefferson Parker, Spencer Quinn, Hank Phillippi Ryan, Patrick Taylor, Aggie Blum Thompson, and Heather Webber.

I am not currently taking unagented or unsolicited manuscripts.


Kristin Temple, Associate Editor


I’ve been at Tor since 2016, and am currently building my list. I’m primarily seeking adult horror for Nightfire, but am also open to select YA horror for Tor Teen. I acquire both novels and novellas for Nightfire.

I love commercial, character-driven horror that’s full of normal people making impossible choices. My favorite type of horror is grounded in close friendships, and a trope I never tire of is “group of friends must band together to defeat evil”. Stephen King’s IT was a formative work for me, and I’m always on the lookout for the next Losers Club to fall in love with. I also love horror that’s grounded in complicated family relationships—think Paul Tremblay’s A Head Full of Ghosts, the movie Hereditary, and Netflix’s adaptation of The Haunting of Hill House.

I love the familiar horror tropes, but I’m also looking for books that push the boundaries of the genre. I want to see authors use horror to tackle modern-day anxieties in fresh, unique ways (e.g. Jordan Peele’s Get Out or Alison Rumfitt’s Tell Me I’m Worthless). I’m also very eager for underrepresented voices and characters and have a particular soft spot for queer themes and characters.

I can stomach (and love!) some pretty dark stuff, but my favorite kind of horror is ultimately hopeful. I want to watch characters face their fears and win. Make impossible choices and survive. Rescue each other and rescue themselves.

I also enjoy commercial, character-driven fantasy and science fiction that has a horror twist. Think scifi/horror blends like Alien and Event Horizon, and dark fantasy like The Monster of Elendhaven and Pan’s Labyrinth.

I am not currently taking unagented or unsolicited manuscripts.

*Nothing But Blackened Teeth (featured below) was acquired by me, edited by Ellen Datlow


Miriam Weinberg, Senior Editor, Tor, Tor Teen


Having been in publishing for more than a decade, I’ve been lucky to work with a wide-range of wonderful authors and phenomenal colleagues.

I’m currently acquiring adult and YA books, with an emphasis on the former.

I’ve always been a huge fan of authors and books that can use speculative conventions to shine a light on the world as it is–and I am happiest when I can explode the lines of market conventions! Give me your genre mash-ups, your high-brow-low-brow subversive narratives, and characters that make a reader *feel*. I’m particularly interested in making space for authors with a novel approach to storytelling, and in encouraging a more inclusive readership (and supporting authors) that better represents the plethora of human experiences and joys.

While I tend first to look for evocative world-building, distinctive style, and strong writing–I am always delighted to be entirely surprised by voices and narratives that don’t match anything that I’ve previously known.

I am not currently taking unagented or unsolicited manuscripts.